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[攝影] 经典图片 昨日重现[100P] [複製鏈接]

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Viktoriya Sasonkina by Steven Meisel
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wenen, Danseres Lulu Mirskeija carnaval Wenen 1928 by janwillemsen on Flickr. Via Flickr: 9 r( h! z7 z! C2 z( ~9 j0 v% P& R
foto uit Spaarnestadarchief, tijdschrift Het leven& ?: U& H6 n7 i, y! Z* w
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(via Happy Birthday Marvin Gaye )
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Solar shower, 1966 by Leonid Yablonsky1 T% O: C0 T" N7 R& }2 i
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5 L1 C8 `2 u3 S; H0 RMonument To Sade by Man Ray, 1933' B6 k( b* a; O+ ~: b" M! |3 ~
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3 j/ R6 f8 q5 a7 UEaster’s coming…! N" n9 i0 |2 p1 R3 C4 b! \
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Dirigible Over St. Basil’s Cathedral, Red Square, Moscow (1921)" P4 K) h( d+ y2 H
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Man Ray
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Sunday morning, 1945, photographed by Robert Doisneau
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) i1 W0 `2 P" D" }  z. {  Z/ sLittle Deuce Coupe6 |' I9 S6 l9 d  @4 s; K- B
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Whitman Twiggy Paper Doll Set 1967 (by hmdavid )( V, D" R: v3 R. }7 w
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$ C1 `9 z. w- VAlberto Vargas (by oldcarguy41 ) April 1944
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3 b9 D6 W  R3 c7 ^; APortrait Willis Bock  by  Otto Umbehr  (Umbo), 1928% g/ C- x. }. a  l1 v. O7 p2 [
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“enzo sellerio’s work is critical and challenging, often referring to sicily’s dark history, but just as often it tells a passionate, involving intelligent and even amusing tale of everyday life there, with all its verve and vitality. he captures grace and irony with a magical depth, and this image of a street scene in palermo is the result of a deeply felt empathy with his surroundings, a perpetual sense of wonder, and a sharp eye for graphic composition. the image’s structure resides in a rigid geometric scheme established by the sides of the chairs perched on the children’s heads, which are perfectly centred within the frame yet at the same time create a sense of dynamism, with their broken line suggesting a climb or descent. the compositional balance is further offset by the position of the children’s legs, along with the silhouette of a man to the side of the frame. perhaps this dark, hunched figure, wrapped up in a coat that’s too long for him, embodies the true mystery of the photograph.” children carrying chairs, palermo, 1960 photo by enzo sellerio, from photobox: bringing the great photographers into focus
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1 Z, B# t$ S% oHolly reading by John Willie , c. 1930s
7 _' l5 ]2 @1 d# S. D0 P6 dAlso at foxesinbreeches6 H3 i& M$ o; Q2 z/ Y& G' p
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Andrew Loomis (From “Remember Me,” Ladies Home Journal , September 1944)
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+ n2 o! Q' K4 U4 o$ |; eJimi Hendrix.$ R/ s7 S6 ]6 o. x6 G, X
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, S6 M$ x5 t  R$ a& f5 ~! h  F! GJohn Whitcomb (From “A Woman to Remember,” Ladies Home Journal , November 1947)- @2 O) w$ g4 q2 v6 A* ^
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Zora Neale Hurston, 1935' y" A8 L/ m. D) V$ Y$ L- j7 y$ t
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; p- D( _) n) t4 q+ s- ~3 EFrank Sinatra and Mia Farrow at Truman Capote’s Black and White Ball, New York, 1966
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John Lennon; r9 @/ M! d. C9 i) O
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! B/ {& O, I: e& q) h" F5 KBeauty treatment, 1950s1 Y9 Y/ M5 D* v4 T! Q9 v7 g
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Dorian Dennis    aka. “Miss French Riviera” .. Photo courtesy of the Janelle Smith collection..$ y- y0 M  q0 J2 `; Q
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2 n9 h+ D. T5 _/ L& D3 ]2 A6 IThe Atomium in Brussels nearing completion. It was built for Expo ‘58, designed by André Waterkeyn based on the form of an iron crystal. The car in the foreground is a Tatra 603 from the same year.
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& ?) ?) @/ }, W0 HShowgirls, 1958
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  H( x9 r6 x, Q1 ^& ^Lucy
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3 s3 `% W6 F; \, j* ?“April 1st is absolutely the worst day on the Internet. I’m going outside. ”3 N. O% V2 i5 S' f& H6 W
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. b  i. [! h6 ~4 s, d& Hinge morath,  a llama in time square, new york city, 1957 happy april fools!# c$ \6 g, ^* h2 t' H' }* c
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6 ?& i& D+ A% JTexas road map from Humble Oil, 19579 g* I. n' y1 Z
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Jeanne Moreau as Le Sphinx in a 1954 adaptation of La Machine infernale by Jean Cocteau 5 [& @2 p. F% F
Photo by Thérèse Le Prat
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Esquire pin-up, “Calamity”, 1947 Illustration by Ben-Hur Baz9 c) g6 ?6 I/ w+ l
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8 U) F" N% I/ kAnita Ekberg6 L# `9 f# m2 M9 |' q2 e8 A
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Jessica Rabbit.# b: z1 M% I4 ^& P) |* K
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Elliott Erwitt New York City, Third Avenue El, 1955, F' T% f. N2 F
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3 O% O1 @6 f; I1 p1 a' Dc a. 1870, [Tintype portrait of a gentleman pensively playing the accordion] via Christopher Wahren Fine Photographs1 g6 L2 j. w; d. l6 Q( n' M! O# j- z
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(via Vintage Scans: Lili St. Cyr ) From  Modern Man , August 1956.+ B" D/ {. I; ~" [, j' U
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Friederike Kierschner1 f5 z0 o. I% i: k3 x, ^( w6 I2 {% V
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- w# n+ @/ Y8 m3 S7 n2 \6 ?( MEdouard Boubat, Collioure, 1954' X$ Q* A6 K1 ~% Q  {
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1 j6 p" N2 ]2 r& z- bHappy April Fools Day! ~ French postcard, Circa 1907.  via( u8 g+ `( V' Y3 s; o
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" C: j' x/ J! yI feel like this should be some sort of April Fools joke — but no, this really was a rehearsal for an underwater wedding in San Marcos, Texas. (see more photos here )
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" X# I: ^6 v' `5 R  r" xRené Jacques L’homme de nuit, 1939( ~& T. u/ v) a  Y5 \
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, v5 S/ {; k- m# x* g- ]Marilyn Monroe and Betty Grable in How to Marry a Millionaire (1953)/ l$ a7 F' P; e% G2 U6 g
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Boris Karloff in Bride of Frankenstein .
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8 V) [6 y% S4 g1 ?  |/ O2 XDorothy Stone (date of photo not known)
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, m# z2 ~3 t5 r$ ?* I& e! S+ ?Lucie Clayton instructs finishing school pupils, Old Cavendish St, London, 1936
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* n( m! M7 A5 [Group of ladies at the Midwest Horse Show, c.1938, Chicago. This event was the pinnacle of the African American social scene in Chicago.8 B) q/ r1 `& H, k) Y" K! Z9 ~9 W
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Marilyn Monroe in 1946….' C) ?4 L5 O) I6 j" ?; o! d8 B
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Pier.  1940’s
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0 X( Q* ]2 \& b8 ~! ]Brockton Enterprise newspaper building, Brockton, MA circa 1940’s# O% p% m9 R. z2 Z' k' f/ y; h; T8 z
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Wherever The Voyage Leads You (by wackystuff ) French April Fools postcard# S8 }; B+ c; T
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Two Ziegfeld Girls c.19262 E/ W! m* ^+ p" ?2 r
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(via Photos: Spring – Johanna’s blog ) Source:  1940’s throwback9 s# p$ G; m; d) {
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Ballet Mécanique,  Fernand Léger and Dudley Murphy (1924): v4 ^8 `6 H0 j$ M2 @7 m
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- K: k* `) C, ]+ L6 B0 y5 X+ ]Elizabeth Taylor on the set of Giant photographed by Frank Worth, 1955
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’80s McDonald’s3 B$ p6 [& P% G( m" p
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Brigitte Bardot9 \- N; m+ `, t& `: ?

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